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It is the area in which Wagner’s imagination unfolds, develops a characteristic personal style and is kept within limits by the respective dramatic situation of the event, i.e.
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With Tristan, the first act of which was composed in 1857, Wagner took them far beyond the level at which Brahms remained in 1892 in his late piano pieces op. Tristan in particular advanced the musical language of the 19th century and is considered by many to be the starting point of modern music. Wagner’s works are a pinnacle of Romantic music and significantly influenced many contemporaries and later composers. With his writing Das Judenthum in der Musik, he is one of the obsessive advocates of anti-Semitism. His innovations in harmony influenced the development of music up to the present day. He founded the festival dedicated exclusively to the performance of his own works in the Bayreuth Festspielhaus he had planned. There, Wagner’s festival concept developed, above all with his stage festival play Parsifal, into a ‘religion substitute’ through art (religion and art). However, this project failed and could only be realized later in Bayreuth. He found a like-minded person in King Ludwig II, so both of them wanted to realize their artistic ideals (Festspielhaus, music school, art education) in Munich. He defended his concept with vehemence and worked single-mindedly towards realizing his ideal of art (in the form of festivals in a place of leisure). “Science has revealed to us the organism of language but what she showed us was a dead organism that only the greatest need of poets can revive, namely by closing the wounds cut by the anatomical dissecting knife again on the body of language and breathing into it the breath that inspire him to move himself. In his writings he has repeatedly described how music can transform dramatic actions into ‘messages’ and how music (the feminine ‘giving element’) gives poetry (the masculine ‘generating seed’) additional power of expression. Already at a young age he was dominated by the idea of combining music and drama (The work of art of the future, opera and drama) and of founding a new art direction based on the tradition of Greek tragedies. Wagner wanted to reform what he saw as “decadent” theatres, use his art to contribute to better public education and thus improve the world. He changed the expressiveness of romantic music and the theoretical and practical foundations of opera as well as its overall understanding by designing dramatic actions as a total work of art and writing the libretti, music and stage directions. With his music dramas, he is considered one of the most important innovators of European music in the 19th century. Wilhelm Richard Wagner (May 22, 1813, in Leipzig – February 13, 1883, in Venice) was a German composer, playwright, poet, writer, theater director and conductor.